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Porquier-Beau Scenes Bretonnes Plate...Elliant

A gorgeous example of Alfred Beau's scenes bretonnes, this plate measures 9.25 inches in diameter
and is in mint condition. The scene of the petite bretonne wearing the
traditional costume of the town of Elliant is one of the aquarelles
created by Beau for the Porquier factory. It is entitled Brodeuse de
Chaussons and is designated as being number sixty-five in the series.

Brodeuse de
Chaussons means the slipper embroiderer and that's exactly what she is
doing...embroidering the special motifs used on the dancing slippers worn
while dancing the valse, an dro, le ronde, Scottische, etc.
It
is marked on the reverse with the entwined P and B used between 1894 and
1903.
AP (Arthur Porquier)
Huilier-Vinagrier (Oil and Vinegar Set)

A wonderful example of French
folk art and a charming illustration of the distinctive Quimper pottery
that was produced by the Porquier factory. It's a cruet set...two bottles; one for
oil and one for vinegar with a matching handled stand.
It
is decorated all the way around; each bottle has a petit breton and a
petite bretonne, plus there are floral sprays, stripes, and four-dot
motifs.
The set of bottles cradled in their stand
measures 7.5 inches high, 7.75 inches wide, and 3.5 inches deep.
It's in ok condition...the same state as when
we bought it years ago from Pierre Breton's amazing shop
in Quimpery.
We knew then, as we know now, that genuine vintage Quimper
of this era, design, and form are few and far between and
a few dings only add character!


We
found out later that one
bottle had had a restoration to the spout...there's
also a teeny nibble on the bottom of
the handle. The other bottle has two small chips to the spout and a couple of
small chips to the base.
That one also has a considerable bit of
crazing to one side. As for the
holder, the handle was broken off
at one point and re-glued
and there are a few small chips to its rim.
Again,
this is how it was when we first bought it and it looks wonderful when
displayed.
The colors are classic early Quimper
faïence...rich cobalt blue, copper green, antimony yellow, iron red, and
the brownish-black of manganese.
The stoppers are cork topped with wood that
is painted navy blue. Bits of the blue paint are missing.
"Tréguier"
written on the side of the bottles indicates that the set was made to be
sold in Tréguier, another of Brittany's fantastic places
to visit!
Each
bottle and the stand is marked with the AP mark of Arthur Porquier.
Henriot Quimper Quintal-form Tulipière

Perfect on its own or filled with
flowers, this Henriot tulipière features a petit breton playing the bombarde on one side...

...while a riot of colorful blossoms is on the other.
Close-up views...

...attest to its charm...

Made circa 1925, it is 6.375 inches high and 5 inches wide, signed by the Henriot
factory on the bottom:

There are bits of roughness and small chips to each of the five openings,
but nothing to deter from its great colors and wonderful form. A piece
guaranteed to put a smile on your face!
Porquier-Beau Tasse for Tea or Coffee

This
form is sometimes referred to as a chope, but since a chope is
generally used for beer and this is a tad on the small side for any Breton
beer drinker that we know, we are describing it as a cup for tea or
coffee. It is 2.75 inches high and measures 3.875 inches across including
the handle.

It is decorated on the front with an unusual
variant of one of Alfred Beau's scenes bretonnes. The scene is from
one of the unnumbered drawings that is in the archives of the Faïenceries
de Quimper and features a mendiant or beggar walking with a crutch. In the
Breton culture, a mendiant is considered to be a person who is one step
closer to God. Beggars are honored members of society with special
consideration given to them at pardons and weddings. Every household is to
set a place at the table at least once a year for their local mendiant.
This fellow looks to be making his way along the coastal path to attend
such a function.

The artists at the Porquier-Beau pottery definitely felt that this piece
deserved special consideration...it has very fine detailing, including a
distinctive light blue on yellow arabesque framing the central motif.

This is the mark on the
underside; the entwined P and B for Porquier-Beau with just the hint of a
serif...note the bluish background glaze and the deep pink clay...along
with the magnificent painterly decoration, these peculiarities are
hallmarks of Porquier-Beau production. The mark on this piece has a serif,
allowing us to date it as being from 1894-1903.
The handle and one portion of
the rim have been professionally restored and as you can see in the
photographs, there are a number of small chips to the top rim...but these
are really of little consequence for a piece of such rare form and décor.
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